• Brisbane Institute of Art

    A Place to Make Art

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to Make Art

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to Make Art

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to View Art

    Metcalfe Gallery

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to View Art

    Metcalfe Gallery

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to Show Art

    Metcalfe Gallery

    Brisbane Institute of Art


  • Brisbane Institute of Art

    A Place to Show Art

    Metcalfe Gallery

    Brisbane Institute of Art


MATERIALS LIST SPRING, 2018

As there are no shops close by, please bring snacks or lunch.  BYO cup for coffee and tea.

DRAWINGPAINTINGCHILDRENPRINTMAKING3DWEB |  PHOTOGRAPHYOTHER | ART MATERIALS SUPPLIERS

 

DRAWING 

Pointed Pen Calligraphy: Copperplate to Modern (Wendy Tweedie)

Pointed nib, Nib holder, A4 Bleed proof marker pad and brush pen. All are available from Art Shed West End. Just mention this course and they will know what you need. In addition: Small water jar or glass 9 (around 200ml), A3 clip board (optional) to lean on a slope while working. Inexpensive ones are available at Daiso.

Calligraphy for Beginners: Italic & Beyond (Wendy Tweedie)

1 or 2 small glass jars (approx 150-200ml); Paper towel; A3 board to lean on (optional) – all other materials are provided.

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder);  Palette ( you can use white plastic plates as a palette);  Water container (e.g. Bucket);  Rags or Paper towels;  Taklon brushes (flat or round);  A3 Cartridge Paper pad;  A4 Canvas Paper Pad;  2 canvas boards, middle size;  2B, 4B and 6B Pencils;  Pencil Blender;  Sharpener;  Rubber eraser and kneaded rubber;  Ruler;  Scissors;  1 stick of Compressed Charcoal;  Black ink, pen and nib.

Colour Confidence (Lizzie Connor)

Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle, No. 20 Boar Bristle (If you have more brushes, bring them along); Paint: Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Water container; Visual diary A4 (these can be purchased at Office works for around $5.00); 1 A2 size sheet of canvas paper to start.  Tutor will advise on weekly requirement during the course.

Mixing It Up! Acrylics & Soft Pastel (Lizzie Connor)

Two canvasses  at least  45cm x 60 cm, OR  2 sheets canvas paper, OR 2 sheets loose canvas of this size (Increments of primed canvas can be purchased from art suppliers off the roll); A4 size sketch book/visual diary; 1 set of artist’s soft pastels (suggested set of 12) or if students already have pastels – bring them; ACRYLIC PAINTS: Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light; Ultramarine Blue, Pthalo Blue, Black and white; Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle (if you have a range of brushes bring them along); Rags; Water container; A couple of sticks of Willowstick Charcoal.

Painting the Breaking Wave (Lizzie Connor)

Two canvasses at least  45cm x 60 cm, OR  2 sheets canvas paper, OR 2 sheets loose canvas of this size (Increments of primed canvas can be purchased from art suppliers off the roll);  Acrylic paint – essential colours: Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Brushes: small No. 6 synthetic bristle, No. 14 or 16 Flat synthetic Bristle ,  one large  8 cm flat brush preferably synthetic bristle; Rags; Water container; A couple of sticks of Willowstick Charcoal.

Pen and Wash (Lizzie Connor)

Small set of watercolour paints containing: Alizarin Ccrimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black; Brushes: one good watercolour dagger brush, and one size 3 synthetic bristle round; Water container/rags; Graphite pencil – 4B or 6B; Black biros, and a couple of black fine felt tip markers; 4 x A3 size sheets of water colour paper; 4 xA3 size sheets of canvas paper (Pen and wash can be pretty amazing on canvas); 1 x A4 size sketchbook/visual diary.

Cityscapes with Pallette Knife (Lizzie Connor)

Pallette Knives – at least three different kinds – small, medium and large; Acrylic paint – essential colours (thicker paint rather than paint with a lot of “flow’’): Alizarin Crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Rags; Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle; Water container; Visual diary A4 these can be purchased at Office works for around $5.00; Canvas paper 4 sheets A2 size.

Ink & Watercolour Illustration (Mia Clark)

Masking tape; Smooth 3mm MDF boards x 2 [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue;  Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

Exploring Styles of Drawing (Mia Clark)

2B & 6B pencils; a grey Faber Castel kneadable eraser;  a pencil sharpener;  ruler;  small paper blender;  A3 cartidge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best); a fine black felt tip pen; 1 black conté stick; 1 stick of compressed charcoal or a charcoal pastel; 1 stick of Willow charcoal; masking tape and/or bulldog clips.

Exploring Mixed Media Art Journals (Mia Clark) Either a sketchbook with  watercolour or mixed media paper in a size and format that appeals to you Or A watercolour pad that we can cut up to make your preferred format book.A collection of art materials....gesso, acrylics and watercolours (red, yellow, blue, black), 2B& 6B pencils, black felt pen, a set of water colour pencils (Faber Castell set of 12 is ok). 6B charcoal pencil.A variety of paintbrushes (Mont Marte sets are ok). 2 water containers. Palette. Eraser. Sherpener. Masking tape. Scissors or craft knife.

There will be more shared materials in class. Also an A3 cartridge paper sketchbook.

 

 

PAINTING

Studio Painting (Sally Cox)

Your usual painting materials.  For the first class please bring a recent painting you have completed

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder);  Palette ( you can use white plastic plates as a palette);  Plastic Water container (e.g. Bucket);  Rags or Paper towels;  Taklon brushes (flat or round);  A3 Cartridge Paper pad for drawing, A few pages of 300 gsm paper for painting (any brand), 2B, 4B and 6B Pencils, Pencil Blender, Sharpener, Rubber eraser and kneaded rubber, Ruler, Scissors,

stick of Compressed Charcoal, Black ink, Hair Dryer (only for painting lessons)

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

Negative Space in Painting ~ Acrylic (Svetlana Trefilova)

Different colours of acrylic paint., Gloss acrylic medium, A few brushes of different sizes and shapes (round and squire), One canvas 50x60 cm

Visual diary ,2B pencil and eraser, A palette or white disposable plastic plates, Plastic container for water, Paper towels, Hair dryer,

Spray bottle with a very fine mist.

Abstract Ways of Seeing (Svetlana Trefilova)

Acrylic paints (all colours that you have), Gloss acrylic medium, 3-4 canvases, deep edges, 1 small canvas (20x20 cm), Visual diary and pencil

A variety of flat brushes, Hair dryer, Tissue or paper towel, Plastic jar to wash brushers in, A palette

Rocks & Water in Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum) - cobalt blue, cerulean blue, ultramarine blue, lemon yellow

yellow ochre, burn sienna, raw sienna, rose madder.  A few watercolour brushes of different sizes and shapes, Masking liquid, Visual diary,

2B pencil and eraser, Mixing palette and 2 water containers, Masking tape, A drawing board or any other hard board,Tissue or paper towel

Hair dryer, Spray bottle with a very fine mist.

Mixing it Up: Acrylics & Soft Pastel (Lizzie Connor)

Two canvasses at least 45cm x 60 cm, OR  2 sheets canvas paper, OR 2 sheets loose canvas of this size.  Increments of primed canvas can be purchased from art suppliers off the roll., A4 size sketch book/visual diary.1 set of artist’s soft pastels (suggested set of 12) or if students already have pastels – bring them. ACRYLIC PAINTS; Alizarin crimson, Cadmium Red Light Cadmium Yellow Deep, Cadmium Yellow Light

Ultramarine Blue, Pthalo Blue, Black and white.  Brushes small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle (if you have a range of brushes bring them along.) Rags, Water container and a couple of sticks of Willowstick Charcoal.

Cityscapes with Palette Knife (Lizzie Connor)

Palette Knives – at least three different kinds – small, medium and large., Acrylic paint – essential colours – thicker paint rather than paint with a lot of “flow.” ,Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white, Rags, Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle, , Water container, Visual diary A4 these can be purchased at Office works for around $5.00, Canvas paper  4 sheets A2 size

Painting the Breaking Wave (Lizzie Connor)

Acrylic paint – essential colours – Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Brushes small No. 6 synthetic bristle, No. 14 or 16 Flat synthetic Bristle, one large  8 cm flat brush preferably synthetic bristle..  If you have more brushes, bring them; Water container/rags; A couple of sticks of Willowstick Charcoal. Canvas at least 45cm X 60cm or canvas paper, 2 sheets the same size. (increments of primes canvas can be purchased from suppliers off the roll) Masking tape.

Pen and Wash (Lizzie Connor)

Small set of watercolour paints containing – Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep,Cadmium Yellow Light

Ultramarine Blue, Pthalo Blue, Black Brushes - one good watercolour dagger brush, and one size 3 synthetic bristle round.

Water container/rags, Graphite pencil – 4B or 6B, Black biros, and a couple of black fine felt tip markers.4 x A3 size sheets of water colour paper, 4 xA3 size sheets of canvas paper. (Pen and wash can be pretty amazing on canvas), 1 x A4 size sketchbook/visual diary

Acrylic & Mixed Media Painting (Deborah Cavallaro)

Any Acrylic paint that you have or if starting off cool yellow (Cadmium light ) and transparent yellow , warm red ( Cadmium red ), Napthol red light (Atelier )cool red ( Alizarin Crimson ), warm blue ( Ultramarine blue) and cool blue ( Phthalo blue ), Titanium White, and Windsor and Newton Mixing white (transparent) Carbon black. (No Mont Marte or Art Culture paints please).  Canson Canvas pad (A2 size), chalk pastel or charcoal, a variety of brushes some bristle (hog hair) and taklon brushes of varying sizes and a goat hair (Hake) brush 50ml wide, a sponge. A variety of plastic palette knives. Any tissue papers and a patterned papers, Masking tape, scissors, plastic container for water, small plastic containers with lids, and disposable gloves, paper plates.

Ink & Watercolour Illustration (Mia Clark)

Masking tape; Smooth 3mm MDF boards x 2 [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue;  Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

Unleashing Your Inner Artist (Abramo Papp)

All materials are supplied, but it can get messy, so wear old clothes or wear a smock.

Colour Mixing Made Easy (Abramo Papp)  OR  Colourful Compositions (Abramo Papp)

‘Moriarty Colour Wheel and Mixing Plotter’: available for purchase at the workshop ($30).  Paints: experienced artists - bring whatever paints you currently have. Absolute beginners without any paints can use in-class acrylic paints before deciding which colours to buy. Brushes: flat taklon brushes are best for small studies and metal palette knives, trowel shaped 2-3 cm long, for mixing paint. Other materials include: flat white mixing palette (A3 tear-off palettes are best in class); container for water or solvent for rinsing brushes; paint rags; A4 visual diary for making notes and A3 pad ‘Canson’ canvas paper for oils and acrylics or several sheets A3 watercolour paper for watercolours.

Introductory Oil Painting (Abramo Papp)

PAINTS: Bring whatever oil paints you own. For the raw beginner, only titanium white and one tube of either raw umber or burnt umber is required for the first night – not water soluble oils. If on a budget, select Winton oils (student version of Windsor and Newton). Advice on which additional colours will be given in the first class. MEDIUM: Refined linseed oil. SOLVENT: Art Spectrum odourless solvent, 500ml or I litre, for mixing with paints and cleaning brushes. BRUSHES: Bring whatever brushes you own. If buying brushes, the Monte Marte Gallery Series 6-brush set of Taklon brushes is economical. PALETTE KNIVES: a minimum of two metal (trowel shapes approx. 2-3cm long) NOT plastic palette knives. PALETTE (for mixing paint): A3 white tear-off disposable pads are best. PAINTING SURFACE: Initially, A3 size ply or mdf board and one A4 sheet of canvas paper (Canson brand, not Monte Marte) and masking tape. Additional canvas boards or stretched canvases will be discussed in class. OTHER MATERIALS: Two small sealable glass containers: one for medium and one for solvent. Larger sealable container for solvent for cleaning brushes. Rags and paper towels for cleaning brushes. A4 visual diary for making notes. OPTIONAL: A hand cream for protecting hands while handling paints and for ease of cleaning. Protective apron or old clothes.

Intermediate Oil Painting (Abramo Papp)

PAINTS: Bring whatever oil paints you own. MEDIUM: Refined linseed oil. SOLVENT: Art Spectrum odourless solvent, 500ml or I litre, for mixing with paints and cleaning brushes. BRUSHES: Bring whatever brushes you own. If buying brushes, the Monte Marte Gallery Series 6-brush set of Taklon brushes is economical. PALETTE KNIVES: a minimum of two metal (trowel shapes approx. 2-3cm long) NOT plastic palette knives. PALETTE (for mixing paint): A3 white tear-off disposable pads are best. PAINTING SURFACE: Canson Canvas paper (not Monte Marte) for studies and primed canvases or board for finished works. OTHER MATERIALS: Two small sealable glass containers: one for medium and one for solvent. Larger sealable container for solvent for cleaning brushes. Rags and paper towels for cleaning brushes. A4 visual diary for making notes. OPTIONAL: A hand cream for protecting hands while handling paints and for ease of cleaning. Protective apron or old clothes.

Abstract Painting (Geoff Harley)

Acrylic paints including several different blues, reds and yellows, Glaze medium for acrylic paints, A3 and larger paper of different qualities including some watercolour paper, a canvas or board for more major painting, A2 or larger, Flat palette, water container, range of brushes, sponge, rags, pencils, Any other preferred materials eg inks, watercolour paint.

 

CHILDREN

Art for Teenagers (Berenice Anzellotti)  OR  Mixed Media for Teenagers (Berenice Anzellotti) 

Bring an art journal/sketch book & pen/pencil, wear old clothes, bring a mug for drinking water etc. and snacks if desired.

Children’s Holiday Art OR Art for Children (Deborah Cavallaro/ Berenice Anzellotti)

Please bring an art shirt or wear old clothes, a water bottle for drinking; lunch & snacks for the holiday workshops or morning/afternoon tea for the 9 week classes.

 

PRINTMAKING

Drypoint Printmaking(Kay Watanabe)
200 – 300 GSM printmaking paper, Basic stationary (pens, pencils etc ) to take notes.

Introductory Printmaking (Nancy Brown)

Drawing materials (pencils, eraser); box of disposable gloves or rubber gloves;  clean cotton rags;  surgical scalpel with spare blades and cutting mat;  scissors;  towel;  4 sheets of 250 gsm printmaking paper (such as Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle) - sheets will also be available for purchase from the tutor;  Please wear closed in shoes, tie hair back and wear clothes or apron to suit use with provided oil based inks.

Studio Fabric: Design, Printing & Pattern (Nancy Brown)

3 metres of cotton, poly-cotton or natural fibre material in a plain or light colour (any colour - can be patterned); bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths;  2 plastic cooking spatulas;  4 plastic containers;  disposable gloves or rubber gloves;  black drawing materials – pencils and erasers, black felt tipped pens (1 mm or wider);  a sketchbook with a few ideas, or other images for inspiration;  small paintbrushes; glue stick;  scissors;  cutting mat; rags; scalpel blade;  ruler; compass;  1-2 empty tomato sauce containers.  Optional, but highly recommended: 1 regular size screen (eg. approximately 50x60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd, East Brisbane QLD 4169, (07) 3891 5080 [Recommended screen: 43T 50 cm x 63 cm].

Capturing Fabric and Plant Textures on Paper (Jennifer Hamilton)

Cartridge paper, thicker drawing or printing paper (any type, but smooth surface) pencil, stanley knife, scissors, covering for clothes, rubber gloves.

Exploring Litho Printing (Christopher Hagen)

Students are welcome to wait until the first class for discussion of the most suitable materials, but a notebook, pencil/pen, sharpie, and a utility knife will always be useful; Affordable Soft Brushes - not fine painting brushes;  Foam Brushes (Optional);  Conté Crayon (colour, not black);  Nitrile Gloves (At least one pair of heavy-weight gloves, available from hardware stores. Disposable gloves useful but optional.);  Bone Folder;  Masking Tape;  Packing Tape;  Apron;  Recommended Papers: Rives BFK – Heavyweight, Magnani, Somerset, Fabriano, Japanese Papers (Optional); Specialised materials such as litho crayons will be discussed and provided initially; you may wish to acquire your own set after exploring their range of uses.
Introduction to Poly Plate Litho (Christopher Hagen)

A notebook, pencil/pen, and a utility knife. A range of waterproof pens and markers (Sharpies are the most reliable, but bring what you have to experiment with!); affordable soft brushes - not fine painting brushes; nitrile gloves (At least one pair of heavy-weight gloves, available from hardware stores. Disposable gloves useful but optional.); Bone Folder; Masking Tape; Packing Tape; Apron.  Recommended Papers: Rives BFK – Heavyweight, Magnani, Somerset, Fabriano, Asian Papers (Optional).

The Magic of Tie Dyeing (Paul Sesay)

Rubber or disposable gloves;  a reel of strong white thread; a fair size needle (#2);  5 metres of 100% white cotton fabric;  2 metres of brown paper;  a tape measure.

 

3D

Ceramics for Beginners (Peter Biddulph)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

Slip Cast Ceramics (Dianne Peach)  OR Teapots in Porcelain (Dianne Peach)  OR  Just Raku (Dianne Peach) OR Slab Build Ceramics (Dianne Peach) OR Beginners Ceramic Week-end (Dianne Peach)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

Small Sculpture for Beginners (Berenice Anzellotti)

Visual diary & pen; pencil; wear closed-in shoes and old clothes; your imagination.

Introductory Silversmithing (Renata Fojtikova)  OR  Silversmithing: Introduction to Stone Setting (Renata Fojtikova)  OR  Silversmithing: Creative Chain Making (Renata Fojtikova) 

Notebook, pencil, fine permanent marker, glue stick, scissors, ruler; wear fully closed-in shoes, avoid flowing & loose garments, & long hair to be tied up.

 

WEB

Website Construction (Peter Biddulph)

A laptop with a keyboard and a mouse (not only a touch pad), and a USB are essential. General ability to manage files and folders and word process are also required. Please bring a notepad and pen and a collection of images you would like to use. You will be given a website and all the software tools to manage and develop it.

 

PHOTOGRAPHY

Introduction to Photography (Geoffrey Harley)

A camera, a laptop if you have one, If you have a laptop with photo manipulation software please bring it.

If your camera is quite complex, please bring the instruction manual.

 

OTHER

Moreton Island Art Camp (Stephen Newton)

This workshop is conducted under Casuarinas on the Ocean Beach, in the Moreton Island National Park. At this time of year it is common to see whales just past the breakers in front of the camp site. Idyllic fresh water swimming in Blue Lagoon is a five minute walk away. A large marque with tables and chairs is provided for your art workspace embedded in nature.

Accommodation: is in walk in style 3 by 5 metre canvas tents. Comfortable stretchers and sleeping mats are provided. Tents are without lights and unscreened ~Insects are rarely noticed but bring insect repellent just in case. Expect to share with 1 at most two others. Hot shower and toilet is provided for the exclusive use of workshop participants. 240 volt power is available for recharging during daylight hours (solar powered). Information about and aerial photos of the camp can be found at  www.moretonexperience.com  

Workshop cost includes:  Six hours tuition (two sessions of three hours);  a 4wd scenic tour to Cape Moreton;  All meals including, a vegetarian option, tea & plunger coffee;  MICat ferry fares ($56) & Parks camp fees ($24);  4WD transfer from Ferry landing to Blue Lagoon.

You will need: Bed linen (sleeping bag);  pillow;  clothing;  hat;  swimming gear;  towel;  personal effects;  insect repellent;  sunscreen;  small water bottle;  backpack;  torch;  raincoat;  plate;  bowl;  cup;  cutlery;  BYO Alcoholic drinks (ice for cooling BYO drinks provided).

The MICat departs 14 Howard Smith Drive, at 8.30am Friday and takes 90 minutes to cross the Bay. 

The MICat leaves the island at 6.30pm Sunday and arrives back at the terminal at 8.00pm.

Parking: Car parking for the weekend at the terminal is available for a fee ($45 for the 3 days), or there is on-street parking outside. MiCat.terminal.

Art Materials: participants are required to bring any art materials they already have and a selection - about 10-20 sheets – of quality drawing papers A4 to A3 in size.

 

Art materials are not available at Brisbane Institute of Art so please check with the following suppliers for your art materials requirements:

                                    

Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: 38461330;

Chapman & Bailey Brisbane: 14 Byres Street Newstead P. (07) 3666 0028 E. This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount;

Eckersley's Art Supplies: 10% BIA members discount (excludes freight and specials). Eckersley's own Creative Rewards program offers great benefits to their members, including $25 reward every 500 points, birthday gift, exclusive offers & more.
~  41 – 43 Adelaide St, Brisbane City Ph 3221 4866 
~  546 Lutwyche Road, Lutwyche Ph 07 3858 2730
~  12 Douglas Street, Milton Ph 3858 2700
~  42 - 44 Compton Road, Woodridge Ph 3084 6222
~  2 / 142 Brisbane Road, Labrador (Gold Coast) Ph 5528 8388
~  shop 11, Corner Nicklin Way & Kensington Drive, Minyama (Sunshine Coast) Ph 5444 0311

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St, Fortitude Valley (07) 3252 8238.

Oxlades at QCA: Qld College of Arts, 226 Grey Street, South Brisbane (07) 3846 0611

Arthouse Northside: 140 Braun Street, Deagon (3869 2444);

Pottery Supplies: 51 Castlemaine St, Milton 3368 2877.