MATERIALS LIST SEMESTER 1, 2020

As there are no shops close by, please bring snacks or lunch. BYO cup for coffee and tea.

These are the materials required for your first class -

PAINTINGDRAWING |  3DPRINTMAKINGCHILDRENART MATERIAL SUPPLIERS

 

PAINTING

Studio Painting (Barbara Penrose)

Your usual painting materials

Painting 1 & 2 (Svetlana Trefilova)

Acrylic paints (all colours that you have, plus black and white). If you do not already have paint – Chromacryl acrylic paint tubes or Reeves paints: warm red, cool red, warm yellow, cool yellow, warm blue, cool blue; gloss acrylic medium; 2 canvases, deep edges (medium sizes); 2 canvas boards; visual diary; 2B pencil; a variety of flat brushes; a palette or white disposable plastic plates; palette knife; spray bottle; hair dryer; tissue or paper towel; plastic container for water.

Watercolour for Beginners (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton / Art Spectrum); a few watercolour brushes of different sizes and shapes; a pad or single sheets of 300 gsm watercolour paper (not Mont Marte paper); masking liquid; visual diary; 2B pencil and eraser; mixing palette and water container; masking tape; a drawing board or any other hard board; paper towels; hair dryer; spray bottle with a very fine mist.

Advanced Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton / Art Spectrum); white and dark blue or dark green acrylic paint; black ink, pen and nib; small box of oil crayons; a few watercolour brushes of different sizes and shapes; a pad or single sheets of 300 gsm watercolour paper, (not Mont Marte paper); masking liquid; visual diary; 2B pencil and eraser; mixing palette and water container; masking tape; a drawing board or any other hard board; tissue or paper; towel; hair dryer; spray bottle with a very fine mist.

Studio Painting (Sally Duhig)

Your usual painting materials, recent completed painting, painting/s you are working on, visual diary.

Drawing & Painting for the Raw Beginner ~ 9 week (Svetlana Trefilova)

Chromacryl acrylic paint tubes: warm red, cool red, warm yellow, cool yellow, warm blue, cool blue, white, or Reeves paints: deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder; palette (you can use white plastic plates as a palette); plastic water container; rags or paper towels; Taklon brushes (flat or round); A3 cartridge paper pad; A4 canvas paper pad; 2 canvas boards, middle size (A4); 2B, 4B and 6B pencils; pencil blender; sharpener; rubber eraser and kneaded rubber; ruler; scissors; 1 stick of compressed charcoal; black ink, pen and nib; hair dryer (only for painting lessons).

Exploring Watercolour & Beyond (Mia Clark)

Tubes of watercolour (Cotman or Art Spectrum not cheap Mont Marte or Aldi): indigo, ultramarine or cobalt blue, cerulean blue, alizarin and cadmium (or spectrum) red, yellow ochre, lemon yellow, cadmium yellow, burnt sienna, black; white gouache;  300gsm watercolour pad (not Mont Marte or Aldi);  Brushes ...round (fine and medium) - Mont Marte sets are fine for brushes, … & flat  (fine, medium, large); a colour wheel;  x2 3mm MDF boards and blue masking tape (Bunnings); 4B pencil and kneadable eraser;  Palette (wells big enough for your biggest brush); x2 water containers;  masking fluid; pippette or eye dropper; small atomiser spray bottle (cheap from hairdressing salons);  pocket packet of tissues; salt.

Painting 1 (Deborah Cavallaro)

A4 visual diary;  1 large canvas pad A2 size (10 sheets);  flat bristle hog hair brushes - No.s 12, 8, 6, 4, 2, 0;  Taklon brushes - ¾ , ½, ¼, 1/8 inch;  large area bristle brush - 2 inches wide; acrylic paints: - 500ml tub white, 250ml tubes of cool yellow, warm yellow, warm red, cool red, warm blue, cool blue, raw umber, black, paynes grey (No Mont Marte or Art Culture paints please); 1 container of impasto gel medium; 1 container of texture paste; 1 bottle Atelier clear painting medium; Atelier liquefying medium; flat palette with wells and disposable plastic plates; Gladwrap and paper towel; spray bottle for water; water container (e.g. large yogurt container); rags; small disposable plastic containers for mixing paint; masking tape; 1 medium palette knife for mixing and painting.

Painting 2 (Deborah Cavallaro)

A4 visual diary; 1 large canvas pad A2 size (10 sheets); flat bristle hog hair brushes - No.s 12, 8, 6, 4, 2, 0; Taklon brushes - ¾ , ½, ¼, 1/8 inch; large goat hair brush or Hake brush - 2 inches wide;  Acrylic paints: - 500ml tub white, 250ml tubes of cool yellow, warm yellow, warm red, cool red, warm blue, cool blue, raw umber, black, paynes grey, Atelier small tube of Napthol red light, carbon black, transparent yellow and Windsor and Newton mixing white, (No Mont Marte or Art Culture paints please); 1 container of impasto gel medium; 1 container of texture paste; 1 bottle Atelier clear painting medium; clear gel medium; flat palette with wells and disposable plastic plates; Gladwrap and paper towel; spray bottle for water; water container (e.g. large yoghurt container); rags; small disposable plastic containers for mixing paint; masking tape; 1 medium palette knife for mixing and painting.

Painting 3 (Nameer Davis) OR Painting 3 (Mia Clark) OR Studio Painting (Nameer Davis) 

Your usual painting materials.

Foundation Drawing and Painting (Sally Duhig)

Chromacryl acrylic paint tubes: warm red, cool red, warm yellow, cool yellow, warm blue, cool blue, white, black or Reeves paints: deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder; palette, water container (e.g. bucket); rags; bristle brushes in a variety of sizes (flat or round); an A2 pad of cartridge paper or 20 sheets of A2 cartridge paper; A4 visual diary; 4B pencil; sharpener; eraser; scissors; masking tape; 2 bulldog clips; 1 stick of compressed charcoal; a cake of Sard Wonder Soap.

  

DRAWING

Illustration Techniques (Mia Clark)

A3 sketchbook; graphite pencils (2B and 6B); permanent markers (fine and medium); Faber Castell kneadable eraser; normal eraser; sharpener; soft Faber Castell charcoal pencil.

Crossing the Line from Drawing to Painting (Nicole Sylvestre)

Lots of paper A4 and A3 cartridge quality; a few A4, A3 sheets of heavier, watercolour quality; soft pencils (2B, 4B or 6B); biro; markers; erasers; masking tape; drawing inks (black and 2 other colours); plain household candle.

Drawing from the Visible World and Drawing: Gesture & the Human Figure (Nameer Davis)

Water based ink; watercolour brushes size 2 and 4; willow and compressed charcoal; graphite pencils HB,2B, 3B, 4B, 6B; graphite stick 9B; spray fixative (cheap hairspray will work fine); A3 cartridge paper sketch book; putty rubber and hard rubber; pencil sharpener; paper towel; disposable latex gloves or barrier cream if skin is sensitive.

Portraiture and the Human Figure (Mia Clark)

Beginners: A3 pad of cartridge paper; 2B and 6B graphite pencils; Faber Castell kneadable eraser; paper blender; A4 display folder.  Continuing students: please bring a project to start on and medium of their choice.

Introductory Drawing (Mia Clark) 

2B, 4B, 6B pencils; a grey Faber Castel kneadable eraser; sharpener; ruler; small paper blender (torchon); A4 display folder; A3 cartridge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best); masking tape and/or bulldog clips; we will discuss additional materials during our first class.

Foundation Drawing and Painting (Sally Duhig)

Chromacryl acrylic paint tubes: warm red, cool red, warm yellow, cool yellow, warm blue, cool blue, white, black or Reeves paints: deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder; palette; water container (e.g. bucket); rags; bristle brushes in a variety of sizes (flat or round); an A2 pad of cartridge paper or 20 sheets of A2 cartridge paper; A4 visual diary; 4B pencil; sharpener; eraser; scissors; masking tape; 2 bulldog clips; 1 stick of compressed charcoal; a cake of Sard Wonder Soap.

Studio Drawing (Sally Duhig)

Drawing materials and papers that you like to work with.

Drawing & Painting for the Raw Beginner ~ 9 week (Svetlana Trefilova)

Chromacryl acrylic paint tubes: warm red, cool red, warm yellow, cool yellow, warm blue, cool blue, white or Reeves paints: deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder; palette (you can use white plastic plates as a palette); plastic water container; rags or paper towels; Taklon brushes (flat or round); A3 cartridge paper pad; A4 canvas paper pad; 2 canvas boards, middle size (A4); 2B, 4B and 6B pencils; pencil blender, sharpener; rubber eraser and kneaded rubber; ruler; scissors; 1 stick of compressed charcoal; black ink, pen and nib; hair dryer (only for painting lessons).

 

3D

2D to 3D: Studio Class (Carolyn V Watson)

Visual diary; assorted wire – preferably aluminium modelling wire; masking tape; ink; charcoal; graphite; additional materials will be advised through the course.

Ceramics I (Peter Biddulph) OR Ceramics 2 (Peter Biddulph)

Notebook and pencil; wear closed-in shoes; avoid flowing and loose garments; and long hair is to be tied up.   

Metal Sculpture (Allin Dwyer)

Visual diary & pen; pencil; wear closed-in shoes and old clothes; your imagination.

Introductory Silversmithing (Renata Fojtikova) OR Intermediate Silversmithing (Renata Fojtikova)  OR Contemporary Silversmithing (Renata Fojtikova) OR Advanced Stone Setting (Renata Fojtikova)

Ruler; pencil; thin permanent marker; scissors; glue stick; metal ruler; wear fully closed-in shoes and avoid flowing; loose garments; long hair must be tied up.
Introduction to Enamelling (Clare Poppi)  OR  Studio Jewellery (Clare Poppi)

Notebook; pencil; old tea towel; wear fully closed-in shoes and avoid flowing, loose garments; long hair must be tied up.

Ceramics 1 (Dianne Peach) OR Ceramics 2 (Dianne Peach) OR Decorative Ceramics (Dianne Peach)

Notebook and pencil; wear non-slip closed-in shoes; please wear old clothes and/or apron and bring an old towel; avoid flowing, loose garments; long hair must be tied up.

 

PRINTMAKING

Studio Etching & Mixed Media (Gwenn Tasker)

Your usual materials

Contemporary Printmaking (Christopher Hagen)

Students will need to purchase printmaking paper and plates but it is advisable to wait until after the first class when the correct materials are discussed if not a repeat student of this class. Basic supplies of note-taking materials, cutting tools (x-acto, stanley knife, etc.), and a range of cheap studio brushes will be used regularly - please bring these each day. At least one pair of heavy nitrile solvent-resistant gloves is required; a supply of disposable gloves is recommended. If possible, your own cutting mat, small ruler, and supply of cotton buds may be useful. Plates will largely be composed with Sharpie OR Advanced Stone Setting pens, Staedtler Lumocolor 'Chinagraph' pencils, and brush-media. Traditional litho crayons and pencils are NOT recommended as their cost is too high for their effectiveness on these plates. Recommended papers: Rives BFK, Magnani Revere / Incisioni / Pescia, Fabriano Academia, cheap cartridge papers for trial proofing, Japanese papers (optional). Polyplates may be purchased from the instructor or bulk orders could be arranged between the students.

Introductory Printmaking (Nancy Brown)

Drawing materials (pencils, eraser); box of disposable gloves or rubber gloves; clean cotton rags; surgical scalpel with spare blades and cutting mat; scissors; towel; 4 sheets of 250 gsm printmaking paper (such as Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle). Sheets will also be available for purchase from the tutor. Please wear closed in shoes, tie hair back and wear clothes or apron to suit use with provided oil based inks.

Fabric Printing: Design, Printing & Pattern (Nancy Brown)

3 metres of cotton, poly-cotton or natural fibre material in a plain or light colour (any colour - can be patterned); bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths; 2 plastic cooking spatulas; 4 plastic containers; disposable gloves or rubber gloves; black drawing materials, pencils and erasers; black felt tipped pens (1 mm or wider); a sketchbook with a few ideas, or other images for inspiration; small paintbrushes; glue stick;  scissors; cutting mat; rags; scalpel blade; ruler; compass; 1-2 empty tomato sauce containers. Optional, but highly recommended: 1 regular size screen (eg. approximately 50 x 60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd, East Brisbane QLD 4169, (07) 3891 5080 (Recommended screen: 43T 50 x 63cm).

Material Thinking: The Poetics of Process  (Glen Skien)

As this course incorporates several different methods and requires individual participants to respond using a mix of materials and objects it is advised that you wait until after the first introductory lesson before purchasing materials. In the first lesson your tutor will present a detailed discussion of the course and the required materials. Visual diary or note book essential for the first lesson. Basic-Studio Materials: Printmaking paper: 4 or 5 full sheets (no specified brand); 15 to 20 sheets A3 size cartridge paper for proofing; individual resources that can be used as collage elements: photocopies of photographs, light weight papers, coloured rice papers or any ephemeral materials that can be used as collage.

Print to Book: The Artist Book (Glen Skien)

Due to the varied nature of materials participants will be instructed on the materials required for the course in the first lesson of the course. Note pad and pen.

 

WEB DESIGN

Website Construction ~ 9 week (Peter Biddulph)

A laptop computer, with a recent or current operating system, is essential. A basic understanding of text editing and file management on computers is also required. Notebook & pen; a USB memory stick; please also bring a collection of your images, either on your laptop, a USB stick, CD or DVD.

 

CHILDREN

Children’s’ Term 1 Art Class (Deborah Cavallaro &/or Berenice Anzellotti)

Water container (e.g.; large yoghurt container); art shirt or apron. Please bring morning tea, a mug for drinking water, and wear an apron. All other materials provided.

Art for Teenagers Term 1 (Berenice Anzellotti)

Bring an art journal / sketch book & pen / pencil. Wear old clothes, bring a mug for drinking water etc. and snacks if desired. All other materials provided.

 

Art materials are not available at Brisbane Institute of Art so please check with the following suppliers for your art materials requirements:

Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: (07) 38461330

Chapman & Bailey - Brisbane: 14 Byres Street Newstead Ph: (07) 3666 0028 E: This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount

Eckersley's Art Supplies: 10% BIA members discount (excludes freight and specials). Eckersley's own Creative Rewards program offers great benefits to their members, including $25 reward every 500 points, birthday gift, exclusive offers & more.
~  41 - 43 Adelaide St, Brisbane Ph: (07) 3221 4866 
~  546 Lutwyche Road, Lutwyche Ph: (07) 3858 2730
~  12 Douglas Street, Milton Ph: (07) 3858 2700
~  42 - 44 Compton Road, Woodridge Ph: (07) 3084 6222
~  2 / 142 Brisbane Road, Labrador (Gold Coast) Ph: (07) 5528 8388
~  Shop 11, Corner Nicklin Way & Kensington Drive, Minyama (Sunshine Coast) Ph: (07) 5444 0311

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St, Fortitude Valley Ph: (07) 3252 8238

Oxlades at QCA: Qld College of Arts, 226 Grey Street, South Brisbane Ph: (07) 3846 0611

Arthouse Northside: 140 Braun Street, Deagon Ph: (07) 3869 2444

Pottery Supplies: 51 Castlemaine St, Milton Ph: (07) 3368 2877