MATERIALS LIST – SPRING 2017

As there are no shops close by, please bring snacks or lunch.  BYO cup for coffee and tea.

 

DRAWING

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder); Palette; Water container (e.g. Bucket); Rags or Paper towels; Taklon brushes (flat or round); A2 Cartridge Paper pad; 2 canvas boards, middle size; A4 Visual Diary; 4B Pencil; Sharpener; Rubber eraser and kneaded rubber; Scissors; Masking Tape; 2 Bulldog Clips; 1 stick of Compressed Charcoal; Black ink, pen and nib.

Introductory Drawing (Mia Clark)

2B & 6B pencils;  a grey Faber Castel kneadable eraser;  a pencil sharpener;  ruler;  small paper blender;  A3 cartidge paper pad (make sure the paper doesn't feel shiny or too smooth, a bit of tooth is best);  a sheet of white canson mi tientes paper;  a fine black felt tip pen;  an ink pen to dip in ink; 1 black conté stick; 1 stick of compressed charcoal or a charcoal pastel; 1 stick of Willow charcoal;  a couple of sheets of large cartridge paper;  masking tape and/or bulldog clips.

Illustration Techniques (Mia Clark)

Materials for first class... A3 cartridge pad; 2B and 6B pencils; Black fineliner pen; Watercolour brush size 6 round; Palette with small wells; 2 cups for water; Masking tape; A3 or A2 piece of 3mm smooth MDF from Bunnings for a drawing board ( more than 1 is ideal); Optional… any watercolour, ink, acrylics or gouache paints you have (Gouache is ideal for illustration), Watercolour pencils (faber castell are good...not mont marte or aldi).

Ink & Watercolour Illustration (Mia Clark)

Drawings/Photos/photocopies of Images that appeal to you personally eg. natural objects, etc.; Masking tape; Smooth 3mm MDF boards x 2  [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue; Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

Portraiture and the Human Figure (Mia Clark)

Beginners: A2 pad of cartridge paper; 2B and 6B graphite pencils; Faber Castell kneadable eraser; paper blender; A4 display folder.  Continuing students: bring a project start on and medium of their choice.

Drawing from Nature (Stefanie Carnevale)

Pencil 6B/5B, compressed charcoal 1-2 pieces, A3 pad of sketching paper, A3 pad of watercolour paper 12+ sheets, round brushes (if you don’t have any at home get No. 4 & 6 round taklon), notepad, soft eraser, pencil sharpener, paper towel. Please note the black ink will be provided.

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

Still life: Traditional & Exploratory (Sally Duhig)

A4 visual diary, A3 cartridge paper, 2B or 4B pencil, charcoal and basic coloured drawing media or painting materials for the first week.  The following weeks will depend on your interests but could include- PVA glue, glue stick, scissors, poly clay, fabric, threads, papers, found materials.

Introductory Drawing (Nameer Davis) 

Water based Ink; Watercolour brushes size 2 and 4; Willow and compressed charcoal; Graphite pencils hb,2b, 3b. 4b, 6b; Graphite stick 9b; Spray fixative (cheap hairspray will work fine) ; A3 cartridge paper sketch book; Putty rubber  and hard rubber; pencil sharpener; paper towel; Disposable latex gloves or barrier cream if skin is sensitive.

 

PAINTING

Painting the Underwater World (Lizzie Connor)

Acrylic paint: essential colours: Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle, No. 20 Boar Bristle ( If you have more brushes, bring them along); Rags; Water container; To start with – 2 sheets of A2 size canvas paper;  Tutor will advise of canvasses needed at the commencement of the course.

Painting the Urban Lanscape (Lizzie Connor)

Pallette Knives – at least three different kinds – small, medium and large; Acrylic paint: essential colours (thicker paint, rather than paint with a lot of “flow”) - Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Rags; Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle; Water container; Visual diary A4 - these can be purchased at Office works for around $5.00; Canvas paper - 4 sheets A2 size.

Pen and Wash (Lizzie Connor)

2 black biros; 1 4b graphite pencil; 2 fine tip felt pens; Small set of watercolour paints – Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Brushes  - one  good watercolour mop brush, and one size 3 synthetic bristle round; Water container/rags; Graphite pencil – 4B or 6B; Visual diary/sketch book A3 size; Watercolour paper: 2 sheets A2 size; Masking tape.

Boats & Oceans (Lizzie Connor)

Acrylic paint: essential colours – Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Brushes: (say a 20 round hog bristle, a 20 Flat synthetic fibre, and a 6 round or filbert ) this would be the minimum - if you have more brushes, bring them;  Water container/rags; Graphite pencil – 4B or 6B; Visual diary/Sketch book A4 – these can be purchased at Office works; 2 sheets A2 size of canvas or flat canvas; Masking tape.

 Towards Better Colour (Lizzie Connor)

Brushes: small No. 6 synthetic bristle, No. 12 Flat synthetic Bristle, No. 20 Boar Bristle ( If you have more brushes, bring them along); Acrylic Paints: Alizarin crimson, Cadmium Red Light, Cadmium Yellow Deep, Cadmium Yellow Light, Ultramarine Blue, Pthalo Blue, Black and white; Water container; Visual diary A4 - these can be purchased at Office works for around $5.00; 1 A2 size sheet of canvas paper.

Painting from Nature (Stefanie Carnevale)

Pencil 2H, pencil 6B/5B, compressed charcoal 1-2 pieces, A3 pad of sketching paper, A3 pad of watercolour paper 12+ sheets, water colour paints (if you do not have any get small tubes of red, blue, yellow, black & white), brushes (if you don’t have any get No. 4 & 6 round taklon), notepad, soft eraser, pencil sharpener, paper towel. Please note the black ink will be provided.

Acrylic Applications (Nameer Davis)

Acrylic / synthetic polymer paints 75 ml tubes: Rose Madder  (cool red), Vermillion (warm red), Ultramarine Blue (warm blue), Pthalo Blue ( cool blue), Process Yellow (cool yellow), Indian Yellow (warm yellow),Raw or Burnt Umber, Titanium White, Carbon Black; heavy bodied gel medium (Impasto gel); A3 pad of Canson acrylic painting paper; 2 watercolour brushes - sizes 0 & 4; 3 flat bristle brushes - assorted from 5mm, 10 mm, and  20 mm; plastic or metal palette knife, putty knife or similar small spoon or other  utensils for moving and mixing paint;  1 small sealable jar (100 ml) for storing mixed paint; Chux cloth or paper towel; plastic palette with 6 large deep recesses for mixing paint;  flat plastic or ceramic plate;  one litre water container; if you think you may have any skin allergies to acrylic paint please bring disposable latex gloves or rubber gloves.

Acrylic & Mixed Media Painting  (Deborah Cavallaro) 

Any Acrylic paint that you have or if starting off cool yellow ( Cadmium light ) and transparent yellow , warm red ( Cadmium red ), Napthol red light (Atelier )cool red ( Alizarin Crimson ), warm blue ( Ultramarine blue) and cool blue ( Phthalo blue ), Titanium White, and Windsor and Newton Mixing white (transparent) Carbon black. (No Mont Marte or Art Culture paints please).  Canson Canvas pad (A2 size), chalk pastel or charcoal, Impasto Gel medium, texture paste, Clear Gel Medium, heavy body matte medium, Fiber Paste, Clear gesso, Liquitex Pouring Medium or Golden Self Leveling medium, a variety of brushes some bristle (hog hair) brushes of varying sizes, foam brushes and taklon, goat hair (Hake) brush 50ml wide. A variety of plastic palette knives. Tissue papers and a variety of textured or patterned papers, stencils and objects for stamping such as textured placemats, fabric or heavy lace. Plaster gauze. Masking tape, scissors, piece of fine and course sandpaper. Scraper or old credit cards. Paper towel, plastic container for water, small plastic containers with lids, rags and a pair of disposable gloves.

Illustration Techniques (Mia Clark)

Materials for first class... A3 cartridge pad; 2B and 6B pencils; Black fineliner pen; Watercolour brush size 6 round; Palette with small wells; 2 cups for water; Masking tape; A3 or A2 piece of 3mm smooth MDF from Bunnings for a drawing board ( more than 1 is ideal); Optional… any watercolour, ink, acrylics or gouache paints you have (Gouache is ideal for illustration), Watercolour pencils (faber castell are good...not mont marte or aldi).

Ink & Watercolour Illustration (Mia Clark)

Drawings/Photos/photocopies of Images that appeal to you personally eg. natural objects, etc.; Masking tape; Smooth 3mm MDF boards x 2  [A3 or A2 size from Bunnings]; 2B pencil, sharpener, eraser and sketchpad; Black ink pens, waterproof [alcohol based] and fineliner [water based]; White ink, acrylic or gouache paint. [White gel ink pens are fun from Officeworks]; Coloured inks..a yellow, a red and a blue; Watercolours [best bought in tubes] A student quality decent brand eg. Cotman. Art Spectrum is also good - Not Monte Marte, Maries or Aldi brands - Again, a yellow, red and blue + Of course, buy any other colour that delights your eye!; Also, a palette with wells for paint; A size 6 to 8 watercolour round brush [and any others you may have]; 2 pots for water; tissues or paper towel; A small atomiser spray bottle for water; Salt; I will provide watercolour paper, masking fluid and other texturing materials & there will be spare brushes, pots and palettes available.

The Yin Yang of Painting (Mia Clark)

Choose one of the following palette ranges; red/green (warm red, Cadmium red, cool red, Venetian red, Burnt Sienna, cool green, green, yellow green, Terre Verte, Raw Umber), OR  yellow/purple (warm violet or Magenta, true violet, blue/violet, warm yellow, Cadmium Yellow, cool yellow , Raw Sienna, Raw Umber, Yellow Ochre) OR orange/blue (warm orange, orange, cool orange, Burnt Sienna, warm blue, Cobalt Blue, cool blue, Indigo) plus Ivory Black and Titanium White. 3X Large sheets of acrylic/oil paper, one canvas, good quality B&W photocopy with a tonal range of an image of your choice, your usual painting kit.

Portraiture and the Human Figure (Mia Clark)

Beginners: A2 pad of cartridge paper; 2B and 6B graphite pencils; Faber Castell kneadable eraser; paper blender; A4 display folder.  Continuing students: bring a project start on and medium of their choice.

Colour Mastery (Abramo Papp)  OR  Colour Mixing Made Easy (Abramo Papp)  OR  Colourful Compositions (Abramo Papp)

‘Moriarty Colour Wheel and Mixing Plotter’: available for purchase at the workshop ($30).  Paints: experienced artists - bring whatever paints you currently have. Absolute beginners without any paints can use in-class acrylic paints before deciding which colours to buy. Brushes and palette knives for small studies, flat taklon brushes are best. Other materials include: flat mixing palette; container for water or solvent for rinsing brushes; paint rags; A4 visual diary for making notes and an A3 canvas paper pad for studies.

Introductory Oil Painting (Abramo Papp)

PAINTS: Bring whatever oil paints you own; For the raw beginner, only titanium white and one tube of either raw or burnt umber is required for the first night; Advice on which additional colours will be given in the first class; MEDIUM: Refined linseed oil; SOLVENT: Art Spectrum odourless solvent, 500ml or I litre, for mixing with paints and cleaning brushes; BRUSHES: Taklon or similar synthetic brushes. Bring whatever brushes you own as advice on brushes will be given on the first night; PALETTE KNIVES: a minimum of two metal, not plastic, palette knives; PALETTE (for mixing paint): A3 size disposable pads are best; PAINTING SURFACES: Initially one A4 pad of canvas paper. Additional canvas boards or stretched canvases will be discussed in class; OTHER MATERIALS: Two small sealed containers: one for medium and one for solvent; Larger container for solvent for cleaning brushes; Rags and paper towels for cleaning brushes; OPTIONAL: A hand cream for protecting hands while handling paints and for ease of cleaning; Protective apron or old clothes.

Unleashing Your Inner Artist (Abramo Papp)

All materials are supplied, but it can get messy, so wear old clothes or wear a smock.

Ink & Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum); A set of coloured inks, black ink and white ink; Pen and nib; A few watercolour brushes of different sizes and shapes; A pad or single sheets of 300 gsm watercolour paper (not MontMarte paper!); Visual diary; 2B pencil and eraser; Mixing palette and water container; Masking tape; A drawing board or any other hard board; Paper towels; Hair dryer; Spray bottle with a very fine mist.

Abstract In Watercolour (Svetlana Trefilova)

Watercolour paints (single tubes or a basic set, Windsor & Newton/Art Spectrum); Black ink, pen and nib; Small box of oil crayons; Small box of pastels; A few watercolour brushes of different sizes and shapes; A pad or single sheets of 300 gsm watercolour paper, not MontMarte paper; Masking liquid; Visual diary; 2B pencil and eraser; Mixing palette and water container; Masking tape; A drawing board or any other hard board; Tissue or paper towel; Hair dryer; Spray bottle with a very fine mist .

Drawing & Painting for the Raw Beginner (Svetlana Trefilova)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder); Palette; Water container (e.g. Bucket); Rags or Paper towels; Taklon brushes (flat or round); A2 Cartridge Paper pad; 2 canvas boards, middle size; A4 Visual Diary; 4B Pencil; Sharpener; Rubber eraser and kneaded rubber; Scissors; Masking Tape; 2 Bulldog Clips; 1 stick of Compressed Charcoal; Black ink, pen and nib.

Drawing & Painting for the Raw Beginner (Sally Duhig)

Chromacryl acrylic paint tubes: - Warm Red, Cool Red, Warm Yellow, Cool Yellow, Warm Blue, Cool Blue, White, Black – OR - Reeves paints (deep yellow, lemon yellow, ultramarine, phthalo blue, brilliant red, rose madder) ;  Palette, Water container (e.g. Bucket);  Rags;  Bristle Brushes in a variety of sizes (flat or round);  an A2 pad of Cartridge Paper or 20 sheets of A2 Cartridge Paper;  A4 Visual Diary;  4B Pencil;  Sharpener;  Eraser;  Scissors;  Masking Tape;  2 Bulldog Clips;  1 stick of Compressed Charcoal; a cake of Sards Wonder Soap.

Still life: Traditional & Exploratory (Sally Duhig)

A4 visual diary, A3 cartridge paper, 2B or 4B pencil, charcoal and basic       stick, scissors, poly clay, fabric, threads, papers, found materials.

 

CHILDREN

Art for Teenagers (Berenice Anzellotti)

Bring an art journal/sketch book & pen/pencil, wear old clothes, bring a mug for drinking water etc. and snacks if desired.

Children’s Holiday Art Workshops OR Art for Children (Deborah Cavallaro &/or Berenice Anzellotti &/or Rodney Turpin)

Please bring: a plastic salad bowl; an art shirt; a water bottle for drinking; morning or afternoon tea.

 

PRINTMAKING

Introductory Printmaking (Nancy Brown)

Drawing materials (pencils, eraser); box of disposable gloves or rubber gloves;  clean cotton rags;  surgical scalpel with spare blades and cutting mat;  scissors;  towel;  4 sheets of 250 gsm printmaking paper (such as Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle) - sheets will also be available for purchase from the tutor;  Please wear closed in shoes, tie hair back and wear clothes or apron to suit use with provided oil based inks.

Print Hybrids & Short-Cuts (Jennifer Hamilton)

Cartridge paper, Printing paper, Pencils, pens,Ruler, Scissors, Stanley knife , Lino block
Objects to be used for printing effects (to be discussed during first class)

Exploring Litho  (Christopher Hagen)

Affordable Soft Brushes - not fine painting brushes;  Foam Brushes (Optional);  Conté Crayon (colour, not black);  Nitrile Gloves (Disposable or Heavyweight, available from most hardware stores);  Sharpie;  Bone Folder;  Utility Knife;  Masking Tape;  Packing Tape;  Apron;  Notebook;  Optional - Art Shed 250 x 380 Plastic Etching Plate $2.50 or larger if desired;  Recommended Papers: Rives BFK – Heavyweight, Magnani Incisioni, Somerset, Fabriano, Japanese Papers (Optional). Specialized materials such as litho crayons will be discussed and provided initially; you may wish to acquire your own set after exploringtheir range of uses

Introductory Printmaking (David Nixon)

Bring two or more dry point Mylar (plastic) plates (15cmx10cm or larger) for the first class of mono printing, and for later in the semester for drypoint. Printmaking paper (240GSM or heavier), such as Canson edition all purpose printmaking paper, Fabriano Tiepolo, BFK Rives, Arches Vellum, Stonehenge or Hahnumuhle. Lino plates (15cmx15cm or larger), a set of Speedball lino cutting tools and a drypoint etching needle. Rubber or disposable gloves. Some students will find a sketch book and basic drawing materials (pencils, eraser) useful, and/or a cutting blade and mat; scissors. Any cotton rags for cleaning or towel (for blotting paper) are appreciated. Please wear closed in shoes, and clothes or apron to suit use with provided oil based inks. Tutor will discuss other materials to be possibly purchased during the course as required eg. Japanese veneer boards and Magnolia woodplates. 

T-Shirt Fundamentals  (Nancy Brown)

10 x T-shirts (any size or shape;  these can be new, second hand with or without previous printing on them;  we will be experimenting with printing onto them to learn the process;  any colour, a mix of dark and light would be useful);  bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths;  2 plastic cooking spatulas;  4 plastic containers;  disposable gloves or rubber gloves;  black drawing materials – pencils and erasers, black felt tipped pens (1 mm or wider);  a sketchbook with a few ideas, or other images for inspiration;  small paintbrushes; glue stick;  scissors;  cutting mat; scalpel blade;  ruler; compass;  1-2 empty tomato sauce containers.  Optional, but highly recommended: 1 regular size screen (eg. approximately 50x60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd,  East Brisbane QLD 4169, (07) 3891 5080 [Recommended screen: 43T 50 cm x 63 cm].

Shibori (Nancy Brown)

Bucket or ice cream container; Scissors; Sketchbook or notebook; Plastic bags; Natural materials: wool, cotton linen, hemp or silk; Pieces of fabric or readymade items or items for upcycling (eg t shirts, shirts, scarves, table linen - Tutor will also have some readymade items available at the workshop); Cotton Rags; Rubber gloves or disposable gloves; All other materials will be supplied.

Studio Fabric: Design, Printing & Pattern  (Nancy Brown)

3 metres of cotton, poly-cotton or natural fibre material in a plain or light colour (any colour - can be patterned); bring an apron to wear or wear old clothes, and please wear closed in shoes and tie hair back; rags or cleaning cloths;  2 plastic cooking spatulas;  4 plastic containers;  disposable gloves or rubber gloves;  black drawing materials – pencils and erasers, black felt tipped pens (1 mm or wider);  a sketchbook with a few ideas, or other images for inspiration;  small paintbrushes; glue stick;  scissors;  cutting mat; rags; scalpel blade;  ruler; compass;  1-2 empty tomato sauce containers.  Optional, but highly recommended: 1 regular size screen (eg. approximately 50x60cm) and small squeegee (10 - 15cm) from Gabba Screenprint Supplies, 189 Wellington Rd,  East Brisbane QLD 4169, (07) 3891 5080 [Recommended screen: 43T 50 cm x 63 cm].

  

3D

Studio Ceramics – Going Further (Dianne Peach)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

Introductory Ceramics (Peter Biddulph)

Notebook and pencil, wear non-slip closed-in shoes. Please wear old clothes and/or apron and bring an old towel.

Introduction to Silversmithing (Clare Poppi) OR Ring Stack (Clare Poppi) OR Wax Carving & Casting (Clare Poppi) OR Creative Metal Texturing (Clare Poppi)

Notebook, pencil, fine permanent marker, glue stick and ruler; wear closed-in shoes, avoid flowing and loose garments, and long hair is to be tied up.

Introductory Silversmithing (Renata Fojtikova)  OR  Silversmithing – Found Objects (Renata Fojtikova)  OR  Creative Chain Making (Renata Fojtikova)

Notebook, pencil, fine permanent marker, glue stick, scissors, ruler; wear fully closed-in shoes, avoid flowing & loose garments, & long hair to be tied up.

 

WEB

Website Creation (Peter Biddulph)

A laptop computer, with a recent or current operating system, is essential (a basic understanding of text editing and file management on computers is also required); Note book & pen; a USB memory stick; please also bring a collection of your images, either on your laptop, a USB stick, CD or DVD.

 

OTHER

Moreton Island Art Camp (Stephen Newton)

Getting there: Please meet at the Eastern end of Howard Smith Drive at the back of the Caltex Port truck stop ~ just turn right when turning onto Howard Smith drive from Osprey Drive. Here we can load your luggage away  from the busyness of the MICat terminal and away from traffic. Arrive by 7.45am at the meeting place, as our vehicle has to be ready for loading on the MICat at 8am.  Its then a short drive to the MICat terminal at 14 Howard Smith Drive. If you arrive after 8am proceed directly to the MICat ticket office. At the MICat ticket office please identify yourself as being with Alan, Moreton Experience as your ferry fares are paid direct by Moreton Experience.

Parking: Car parking for the weekend in at the terminal is available for a fee ($45 for the 3 days), or there is on-street parking outside the MiCat terminal (Port of Brisbane security has kept street parking safe to date) If parking on the street do not park where there are yellow lines or you may be booked!

The Vehicle Ferry: the MICat  departs at 8.30 am and takes 90 minutes to cross the Bay.  For more information about the MICat visit their website at www.micat.com.au .  The MICat lands at The Wrecks just north of Tangalooma and from here we will travel by 4WD to Moreton Experience's campsite at Blue Lagoon. The MICat leaves the island at 6 pm Sunday and arrives back at the terminal at 7.30pm.

Camping Facilities: The Moreton Experience camp is located right on the ocean beach at the Blue Lagoon National Parks camping ground. Blue Lagoon a large freshwater lake, is just five minutes walk away. Hot shower and toilet are provided by Moreton Experience.   Sleeping tents are marquees (3 by 5 metres), walk in style with comfortable stretchers and sleeping mat provided (Sleeping tents are without lights and unscreened). Insects are rarely noticed but remember to bring insect repellent just in case. Expect to share with 1 or at most two others.   Participants are welcome to bring their own tents if preferred.  The field kitchen has gas stoves,lighting, tables and chairs.  A large Marque is the venue for the Art workshop. Dedicated tables are provided for the workshop.  Solar powered 240 volt power is available for recharging during daylight hours.  For more information on the camp visit the website www.moretonexperience.com  

What is Provided: The cost includes All transfer costs from the Port of Brisbane, Parks camp fees, prepared meals,  including vegetarian, from Friday lunch to Sunday lunch. Six hours tuition (two sessions of three hours). 

What to Bring: Bed linen (sleeping bag); pillow; clothing; hat; swimming gear; towel; personal effects; insect repellent; sunscreen; small water bottle; backpack; torch; raincoat; plate; bowl; cup; cutlery; 

Optional: BYO Alcoholic drinks (drinks ice provided); personal tent; air mattress; camera.

Art Materials: participants are required to bring any art materials they already have and a selection - about 10-20 sheets – of quality drawing papers A4 to A3 in size.

  

Art materials are not available at Brisbane Institute of Art so please check with the following suppliers for your art materials requirements:

                        

Eckersley’s Lutwyche:546 Lutwyche Road Lutwyche, Lutwyche QLD 4030, (07) 3858 2730


Art Shed Brisbane Discount Art Supplies: 274 Montague Rd, West End Ph: 38461330

Chapman & Bailey Brisbane: 14 Byres Street Newstead P. (07) 3666 0028 E. This email address is being protected from spambots. You need JavaScript enabled to view it. 10% discount

Eckersley’s Brisbane:91-93 Edward St (Cnr Mary St), Brisbane (07) 3221 4866 

Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham St, Fortitude Valley (07) 3252 8238

Oxlades at QCA: Qld College of Arts, 226 Grey Street, South Brisbane (07) 3846 0611

Arthouse Northside: 140 Braun Street, Deagon (3869 2444)

Pottery Supplies: 51 Castlemaine St, Milton 3368 2877

 

 

 

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